January 12, 2015 | Posted in Book Reviews
I received a copy of this book free in exchange for an honest review.
This is a really nice novella, and is part of Erica Crouch’s “Ignite” series. It’s listed as part 1.5 in the series, but it’s actually a prequel to the events in Ignite, so I read it first. Whether that will have an impact on how I perceive the next book (which is Ignite) I don’t know yet – but I do know that I’m quite eager to keep going with the series.
The story opens with a battle scene from the war between Heaven’s angels and the angels who fell with Lucifer. It is told from the perspective of Penemuel (but don’t call her that – just call her Pen) who choose to fall at the urging of her twin brother Azael, and is somewhat conflicted over her decision. Azael has no problem bowing to and “yes sir”-ing Lucifer – he’s a true believer in Lucifer’s cause, but Pen is more defiant, something that doesn’t go over too well with her new boss. This leads to a retelling of the story of the Fall of Mankind in the Garden of Eden.
Crouch’s version is original, even as it retains all of the traditional elements of the Biblical story, and the rest of the tale is quite well done. Crouch truly has a way with words and I found myself highlighting several phrases just because I really liked the way she put something. Even though this is a novella, she still manages to give us a good look at what the universe the story takes place in looks like as well as some excellent character building. The only thing keeping me from giving the book 5 stars is that there ars couple of apparent tips – one in particular that resulted in my spending about ten minutes trying to figure out what it was supposed to mean. Given that the book took only about 3 hours to read, having to take that kind of time to puzzle out a sentence made it just that much more irritating that a single typo like that would be in a longer book.
All-in-all, though, this is definitely a book worth checking out!
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This is a truly amazing book. While it’s an adaptation of Beauty and the Beast, it’s unlike any other adaptations of that story I’ve read. What really made me fall in love with the story is that it went beyond the idea that she just had to see beyond his beastliness to set things right, and it does so in an unexpected way. Add a few surprising turns and you have a tale that honors its source material while being an original in its own right.
The writing is very lush, making the world vivid and almost tactile, and the characters are complex. It takes a certain skill to write a book where the majority of the story only involves three characters and not have it feel like a large, empty house. Because the cast is small, there’s room to let the characters breathe and grow – and the relationship blossom – at a nicely measured pace.
This is the first book in a new fictional universe, which will feature additional retelling of fairy tale classics. Already, a novella – Gilded Ashes, a retake on Cinderella – has been published, and it shares many of the strengths that Cruel Beauty possesses, so the series shows some promise off being one to keep an eye on.
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The New England Witch Chronicles, Book One is a tasty little confection about a girl who discovers that she’s a witch and that there are still people who hunt them. One of my favorite things about the book is that it takes its time to tell the story, giving us a chance tho get to know our heroine, Alex, and the important people in her life. We get to see her as the normal girl she’s always been hanging out with her friends, going to school, coping with a father who’s emotionally distant and sometimes borderline abusive (verbally, not sexually) and an ineffective and alcoholic mother, and – of course, given that this is a YA novel – falling in love,
The author,Chelsea Bellingeri, does a nice job with creating relationships that feel more realistic than I’ve seen in many books. The romance develops at a nice pace and avoid that kind of over-the-top grand destined soulmates that often feels so forced – especially when dealing with teenagers.
As for the paranormal aspect of the story, Bellingeri allows that to develop slowly. Alex starts having nightmares and noticed some odd things that happen when she’s upset, but she doesn’t really start thinking about possible supernatural explanations until well over half-way through the book. Yet the story never feels like it’s dragging. I found it to be very comfortably paced and I like that the story has a solid foundation for it to build on over the rest of the series.
Bellingeri also has a nicely evocative way with scene-setting. At one point, Alex goes through a tunnel which is smaller than shed like and makes her uneasy. Bellingeri describes the sensation of what Alex was experiencing so clearly that I started feeling claustrophobic myself.
The book has almost no bad language or sexual content – -aside from a few kisses – and while there are several fist-fights and a few deaths, the descriptions are not overly graphic. I would consider it ok for audiences of about 14 and older.
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Not as good as the first novel but not bad, either
This novella focuses on Izrafel, one of the characters we met in “Uriel’s Fall.” Since we last saw Izzy – as he’s known – at the end of that book, he’s fallen in love and is thinking about moving in with his boyfriend, though he has some reservations because he’s still not quite sure how to to explain his past and because he feels there’s something his boyfriend is hiding from him. We’re quickly thrown into the action – almost too quickly, in fact, and the the story takes off like a runner so eager to start her race that she jumps the gun a bit.
The biggest problem I had with the story is that like in the preceding novel, most of the dramatic tension comes from people simply not talking to each other. Even Ronnie, the protagonist from the first book – who was constantly frustrated because no one was telling her the full truth – can’t seem tho find a way too clue Izzy in as to what’s going on.
Still, in spite of these issues, it’s a fun, quick read and helps set up the conflict for next summer’s release of the second novel in the series.
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I always hate giving up on a book, but I just can’t take any more of this series. The protagonist never seems to learn from her mistakes and – in spite of a near perfect record over the last two books of being right anytime she says her instincts are telling her that doing something or going somewhere will be a bad idea – she never pays any attention to those instincts and keeps getting in trouble for it. And even though everyone keeps saying they won’t be keeping any more secrets, they still keep keeping secrets.
Author JD Horn does a nice job of bringing Savannah to life and comes up with some imaginative scenarios that the characters find themselves getting caught up in. His characters are well-rounded and distinct, which is nice. Their collective inability to learn from past mistakes, however, makes reading the series feel a bit like watching a hamster running in a wheel in its cage.
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I tend to read book’s fast, but it’s not often one draws me in so much that I finish it in a single day. Uriel’s Fall was one such exception. It actually started out feeling like a nice bit of fluff, but developed more depth than I’d expected. Loralie Hall dose a nice job world-building, though the company Ubiquity that gives the series it’s title still feels a bit vague and undefined, and her characters have enough depth to make you care about them. She presents a rather different take on the concept of angels and demons – at least it’s one I’ve not fun into previously – which is nice. There is one rather explicit sex scene and profanity used, so it’s more appropriate for an older audience. A few things could be tightened up – some dialogues go a bit longer than really needed, but on the whole, it’s a good book and a nice fast-paced read. I’ve already picked up the companion novella and will be watching for the second novel in the series next year.
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“Red Rising” is not an easy – or fun – book to read. It is a brutal look at society as created and ruled by the worst aspects of humankind. The story is set in the future, during a time in which man has colonized the moon and several other planets, and society is divided into a series of castes, each designated by a specific color. The color coding of people goes so far as their eye and hair color – making it almost impossible for someone to surreptitiously move into another caste. At the top of society are the Golds, followed by a veritable rainbow of Pinks, Browns, Greens, Blues, Grays and so forth, leading down to the Reds at the bottom.
The story itself takes place on Mars, where the Reds have been kept living underground, working in the mines and being told that they are pioneers who are gathering the material necessary to terraform the planet, and that once the terraforming is complete they will be the first to be able to move to the surface. This, of course, is lie, as the Golds have no intention of ever allowing the Reds to move out of the mines.
Darrow, the main character of the story, is found by a rebel faction who believe that he will be able to infiltrate the Gold society with the intent of gaining as much power as possible and then using it to subvert the social order and free the Reds from their slavery. It’s not an easy task, as Darrow will need to change virtually everything about himself – from his appearance to the way he speaks to how he treats others – everything except who he is at his core, where are the qualities that the rebels think make perfect for this mission lie.
His first test is to attend the Gold’s Institute, a school that teaches leadership in the most brutal way possible. It is up to Darrow – with no help from his rebel allies – to not only survive the Institute, but to graduate at the top of his class so that he can obtain the best apprenticeship possible, launching him on his path to gaining the power needed to overturn society – all without losing sight of who he truly is.
The story is told from a first-person perspective which – though not my favorite method of storytelling – is quite effective here. It allows us to see the world exactly as Darrow sees it and experience it as he does. The level of immersion that develops as a result can be quite disturbing at times, but I found that it provoked me to think about who I am and what I would do under similar circumstances, which is one of the best aspects good literature can have.
Pierce Brown does a great job at world building. The society he envisions, while extreme, is plausible enough to work as a foundation for the story and at the scenes he writes that take you through the various areas of the underground mines, cities and the Institute are vivid and memorable. There were several times where I felt I was “watching” the book as much as reading it, and I’m generally not a terribly usually-oriented person. I’ll be rather surprised if it isn’t eventually made into a movie.
The characters Brown writes feel authentic – with all of the messy, conflicting emotions, desires and values that we humans have. The way that friendships are made and broken have genuine emotional impact and Darrow’s motivation for taking on this task and the choices he makes as a result feel realistic.
As I said at the start, “Red Rising” is neither fun nor an easy read, but it is good and it is well worth the effort. I know I am looking forward to the next part of the story see where Darrow goes from here. This is a book I highly recommend.
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What an absolutely delightful story! “The Paper Magician” is probably one of the most imaginative tales I’ve come across in quite some time. I certainly can’t think of any other books in which the main character actually journeys through the physical heart of another character.
Ceony Twill is a magician’s apprentice – not a stage magician, but someone who can create real magic using specific materials. In her case, she uses paper. Shortly after being assigned to a her mentor, he is attacked and his heart is removed from his chest. She quickly uses her magic to give him a paper heart in the hopes that it will keep him alive while she goes to track down the thief. Upon finding the thief, however, Ceony finds herself suddenly thrown – literally – into her mentor’s heart where she must journey through all four chambers – each containing the secrets of his life – to reach the other end and exit before the thief catches up with her.
The imaginative and inventive ways that Ceony and her mentor are able to use paper to create a variety of spells – from bringing a written story to life to animating life-like creatures, and so much more – is amazing, and the detail of the journey she takes through her mentor’s heart is beautifully written, easily visualized and quite moving.
Quite simply, this is an absolutely charming book with well-rounded characters, a light sense of humor, strong dramatic scenes and well-crafted plotting. I would definitely recommend this book for anyone looking for a bit of whimsy and wonder in the world.
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NOTE: I have not yet written a review for the first book in this series, though I plan to. I wanted to go ahead and post this one since I had it ready.
I got the first “Angelbound” book as part of Ink Monsters “Angels & Alphas: An Angelbound and Becoming Alpha Bundle” package. Being something of a werewolf fan, I was mostly interested in the Alpha part of the book, but decided to go ahead and read for the Angels part as well since it was there. I’m glad that I did – it’s a quirky story set in one of the most warped visions of Purgatory I’ve come across that has a lot of humor to it, a spunky as Hell quasi-demon as its heroine, family secrets, romance and – of course – a great destiny to be filled.
This second book picks up shortly after the first one leaves off, and we see our heroine – Myla – adjusting to her new life. Unfortunately, an old nemesis has come back try and take “back” some things she claims Myla “stole” from her. The reader knows from the start that it’s the nemesis trying to do the stealing, but for the people living in Purgatory, it’s not so clear. Myla must gather her friends and family in order to hold on to what is rightfully hers. The middle section of the book – where some of the dramatic tension should be mounting – is pretty slow, but the first part of the book is great as is the ending. And I absolutely love Myla’s relationship with her beloved Lincoln. They are a believable couple in the kind of heightened world that the author has provided and are really cute and how they interact. This isn’t terribly long book – nor is the first one – so if you’re looking for something kind of light and fun and don’t mind a bit of a slog through a few chapters in the middle, I would definitely recommend it.
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This is a book really have mixed feelings about. On the positive side, the plot is reasonably interesting and the characters are nicely distinct from each other. There are a few characters that are a bit too one-dimensional – such as the requisite spoiled rich girl at the boarding school – but the primary characters have more to do mention to them and are well enough written that I actually care about what happens to them.
On the downside, a fair amount of the plot in the book is fueled by one of my absolute least favorite tropes: people not talking to each other and thus misunderstanding what’s happening. When the book starts, we meet Tessa, the girl who gets visions when she touches people or objects. We eventually learn that she is half bruja – a Mexican witch – who, it is strongly hinted, is supposed to take over her family’s coven soon. Her parents, however, have not told her this and while she knows that others and her family supposedly have similar gifts, she doesn’t believe that brujas are anything more then people essentially play-acting at spirituality. Similarly, when her father takes a job at a special boarding school for werewolves, all she is told is to stay out of the woods after dark, avoid the wolves in the area, and stay away from all of the students at her father’s school. Nobody explains to her why. Of course, she meet one of the boys from the school and he ends up biting her lip as they are kissing. This leads to several scenes of various people freaking out, without explaining to her why. She becomes quite ill and has to be hospitalized – and it’s only after she has spent a fevered week there that she can’t remember that anyone tells her that werewolves are real and she is now one of them.
The same problem plagues the romance. She and the boy who bit her are very clearly meant for each other, but both of them seem to have an inability to talk to the other and instead will overhear snippets of conversation or see part of a situation (such as one of them hugging somebody else) and storm off before finding out what was actually happening. This results in one refusing to speak to the other while the other is trying to explain what the deal was, with the inevitable reconciliation to follow – lather, rinse, repeat.
It’s a good thing that the characters are as interesting as they are, and the world is as well drawn as it is. Aside from the main romance, the relationships are reasonably well done, and Tessa’s burgeoning friendship with her suitemate Meredith is fun and very reminiscent of campus life.
As for the rest the story, aside from the drama that is created by not talking to each other, it’s interesting enough that I’m going to keep reading the series and see what happens. Hopefully, as the relationships mature, they will develop better communication skills!
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